Along with a review of the surprisingly good indie frat thriller Brotherhood, I take a closer look at the documentary Marwencol:
→I’m a bit wary of a documentary that feels the need to split itself up into chapters. To me, it’s typically a sign of a director that doesn’t quite know how to unify his material—one of the basic challenges of this genre.
Tags: SXSW, Documentary, WWII, Thriller, The House Next Door
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