Tags: Blog-a-thon, Production Design, Cruel Intentions
NOTE: This post is a contribution to the Production Design Blog-a-Thon at Too Many Projects Film Club.
Back in high school, I used to frequently look at a site that listed its own Academy Awards. It had typical categories as well as some more unique ones. What appealed to me was that it praised the type of films I was interested in: Magnolia, Traffic, Dancer in the Dark, Being John Malkovich…. I remember reading through some of the earlier lists and seeing, under “Costume Design,” Cruel Intentions.
“Yes,” I said. Someone else was seeing what I was seeing. Cruel Intentions was a guilty pleasure throughout high school, and I was secretly in love with the expensive suits, clothes, and homes of the spoiled brats on screen. Sure, they were all pretentious and sex-crazed, but it all looked so darn pretty!
Revisiting the film now, its lost a little bit of its luster, but I still find the production design to be vastly underrated. It’s difficult for people to recognize the production and costume design of a non-period piece, but I believe there’s merit in the work that we may find “typical” or “un-special.”
Jonathan Pacheco dabbles in web development, veganism, and the occasional polyphasic sleep cycle. Learn more.
David Yates’s second Harry Potter film proves to be successful thanks to his trust in the maturity of his audience and his material.